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The Mill Helps Bring Three's Mega Chill Dolph-a-sloth to Life

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The Mill’s VFX team created the entire magical CG environment for W+K London's latest ad

The Mill Helps Bring Three's Mega Chill Dolph-a-sloth to Life

Working closely with Wieden+Kennedy London and The Pelorian Brothers out of MJZ, The Mill have created a 100% CG, ultra chilled ‘dolph-a-sloth’ as well as it’s entirely CG environment for Three’s latest campaign, following the success of the first spot in the campaign featuring a sassy CG giraff-a-mingo, also created by The Mill.

The Mill’s VFX team created the entire magical CG environment as well as designing and crafting the CG dolph-a-sloth ​character, a half-dolphin, half-sloth hybrid, from scratch, carefully marrying a sense of realism with character in this fantastical world.

The dolph-a-sloth embodies the feeling Three’s customers will experience when taking advantage of Three’s pioneering new ‘Go Binge’ offering, which allows binge-obsessed customers to watch and listen to popular services including Netflix, TVPlayer, SoundCloud and Deezer, without fear of exceeding their data limit.

The spot, which features a voiceover by the inimitable John Goodman, begins with a happy, frolicking dolphin jumping in and out of the sea as it enjoys roaming for free. The dolphin suddenly stops in his tracks, deflated as his data roaming allowance runs out. However, before long, the top half of the disappointed dolphin transforms into a satisfied sloth gliding through the air, binging on an infinite amount of data.

The initial sea setting of the ad transforms into a space-like world filled with rainbow hues, mirroring the transition of this hybrid creature as a nod to the unrestricted nature of Three’s data offering.

Mill 3D Lead Artist Sam Driscoll explains, "The challenge for this project was to create an instantly likeable, albeit unusual character that the viewer can fall in love with. We worked closely with Wieden+Kennedy London to refine every detail of the CG character before arriving on the final design that you see in the film. The water simulation aspect of the spot was also hugely challenging, utilising some of The Mill’s very latest hardware and software to create the unique twinkling aesthetic. We are very proud of our collaboration with Wieden+Kennedy London and we are confident to have created something that even the coldest of hearts will warm to."

Mill 2D Lead Artist Pete Hodsman comments, "Following the success of the the giraff-a-mingo in ‘Go Roam’ we knew we had our work cut out. It is not often you get to create a 100% CG strangely appealing world, so we began by looking at a huge amount of real sea, sky and underwater reference. From that we developed our environment by exploring how to produce surreal yet plausible rainbows and colourful light play in the cloud and space scenes. The lighting direction was key to getting the best from the character. The height and angle of the sun can make or break how lovable our furry friend is. We found a balance between a contrasting 'real-world' look and a 'beauty' lighting set up, which shows the best of his features. The conceptual nature of the spot allowed us to really push the colours and reflections that you would not have found in the wild!"

Mill Executive Creative Director Neil Davies explains, "It was great to see animators and concept artists let loose and go crazy to create this dolph-a-sloth and the fantastical world it inhabits. A brilliant, fun, creative project; a pleasure to work alongside the teams at MJZ and Wieden+Kennedy London and an amazing job from the whole team."

CREDITS

Brand
Agency / Creative
Production
Post Production / VFX
Music / Sound
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Genres: Animation, Visual VFX, Comedy

Categories: Consumer Electronics, Mobile Network

Mill London, Fri, 07 Jul 2017 10:39:37 GMT