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Shooting Sports Cinematography with Cineflex Technology



Team at video production company Eyeforce explores cineflex - the pinnacle of action sports cinematography

Shooting Sports Cinematography with Cineflex Technology

What is the Cineflex?
The Cineflex is a gyro stabilised device that you would normally see hanging underneath a helicopter. The beauty of the system is that it allows you to zoom in on your subject, move at high speed, and still be stable as ****.

Ever wondered how the BBC was able to get such a close up of a running lion, while it feels the camera is on a fast moving dolly track? That's the Cineflex at work.

- Cinematographer Arthur Neumeier releasing the birth in Hawaii

Operation of the system
The camera system can be completely controlled by one person. It uses joysticks for aiming, zoom control buttons and a focus wheel, all on one panel. A configuration that needs a lot of practice, especially when shooting sport cinematography that captures fast moving objects.

Instead of strapping the system to a helicopter, cinematographer Arthur Neumeier wanted to try how it worked if we mounted it behind a car.

- Cinematographer Arthur Neumeier could also operate the camera completely alone with joysticks, zoom and focus control on one panel

- Cinematographer Arthur Neumeier and director Bob van de Gronde, co-founders of Eyeforce video production

A new dimension through parallax
A great benefit of the Cineflex is that it allows a special kind of parallax. Parallax is created when different layers of depths (foreground, subject, background) starts moving in different speeds relative to each other. An example is this shot taken with Shanice van der Sanden, a player of the Dutch National soccer team. In this shot the car was reversing on a circular trajectory, while Shanice was coming at us. At the same time we were zooming in. In this shot you'll see how the background moves in the opposite direction of the soccer player.

- Shanice van de Sanden in action filmed by a Cineflex

Twisting and turning
You don't necessarily need to be a parallel road to film your subject at speed. In the example below you'll see how the camera car was in front on cyclist Dylan Groenewegen, but a steep turn in the road allowed us to capture the cyclist in a unique way, with a lot of dynamic in the foreground and background.

- Dylan Groenewegen during a shoot for M Line

Downsides of strapping a Cineflex to a car
Because you need to be at a certain distance from you subject (about 10m), the pathway of your subject and your camera-car need to align perfectly. Considering that athletes have demands for certain types of terrain, and you want your background and light direction to be beautiful, finding the right location can be challenging.

Client monitoring for Cineflex shots
When moving at high speed and far distances, it is hard to provide a monitor for client or agency because you will easily lose signal. A livestream- based monitor device provides an opportunity for a client to keep monitoring the shots at all times, even when the athlete and camera team are far away.

The livestream sends a signal straight to a private YouTube link, that all stakeholders can tune into. Even those working from home.

- A close up preview of an action shot on the livestream monitor

For more information about filming sports cinematography or additional information about the Cineflex, reach visit the website.

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Eyeforce, Tue, 16 Jun 2020 09:43:49 GMT