Music+Sound Awards 2014 Winners Announced

The Music+Sound Awards have revealed this year’s winners, as celebrated on Thursday at their ceremony at Troxy, London.

For the third year running, some outstanding names have been recognised for their work in music and sound design across all the visual media industries.

Nick Payne, co-founder, says: “It was months in the planning and The Music + Sound Awards 2014 was truly a night to remember. The work entered this year was of a very high standard and seeing the winners rewarded for their brilliance was a phenomenal thing to be part of.  We congratulate them for their outstanding achievements and for inspiring the visual media industries with their exceptional work.”

2014 MUSIC+SOUND AWARDS WINNERS:

BEST COMPOSITION

BEST ORIGINAL COMPOSITION: TELEVISON ADVERTISING

Marks and Spencer, ‘Believe in Magic and Sparkle’ (RKCRY&R / Native / Guy Farley)

BEST ORIGINAL COMPOSITION: CINEMA ADVERTISING  

Vodafone 4G ‘Lost in Content’ (The Works Music / RKCRY&R)

BEST ORIGINAL COMPOSITION: TELEVISION PROGRAMME SCORE BBC TV 

Drama 'The Paradise' Series 2 (Maurizio Malagnini / Blaze Music)

BEST ORIGINAL COMPOSITION: SHORT FILM SCORE  

‘Orbit Ever After’ (Graham Hadfield)

BEST ORIGINAL COMPOSITION: GAMING

‘Bioshock Infinite’ (Composer: Garry Schyman)

BEST ORIGINAL COMPOSITION: NON-BROADCAST + VIRAL ADVERTISING 

Volkswagen ‘Play The Road’ (Underworld / Nick Ryan / Tribal DDB)

BEST ORIGINAL COMPOSITION: TRAILERS + PROMOS  

‘The Condemned’ (Smith and Elms at Eclectic Music)

BEST ORIGINAL COMPOSITION: BRANDING + TITLE SEQUENCES  

‘Downton Abbey’ Series 4 (John Lunn / Carnival Film & Television)

BEST ORIGINAL COMPOSITION: USE OF PRODUCTION MUSIC IN ADVERTISING

‘The Outnet’ Fall / Winter 2013 (De Wolfe Music / Atelier)

BEST SOUND DESIGN:

BEST SOUND DESIGN: TELEVISION ADVERTISING  

Honda ‘Hands’ (Anthony Moore at Factory / Weiden & Kennedy)

BEST SOUND DESIGN: CINEMA ADVERTISING  

London Short Film Festival Trailer (Phil Bolland at 750mph / Ben Campbell at Cut & Run)

BEST SOUND DESIGN: TELEVISION PROGRAMME  

‘Misfits’ Series 4 (Tony Gibson / Molinare / Clerkenwell Films)

BEST SOUND DESIGN: SHORT FILM  

‘Post Personal’ (David Kamp)

BEST SOUND DESIGN: GAMING

‘The Last of Us’ (Sony Computer Entertainment)  

BEST SOUND DESIGN: NON BROADCAST + VIRAL ADVERTISING  

Audi R8 V10 Plus ‘Evolution on the outside, Revolution on the inside’ (Will Cohen at String and Tins / BBH)

BEST SOUND DESIGN: TRAILERS + PROMOS  

‘Skins - Time Changes Everyone’ (Arge at Envy Post / 4Creative)

BEST AUDIO MIX IN A COMMERCIAL

Honda ‘Hands’ (Anthony Moore at Factory / Wieden + Kennedy)

BEST AUDIO PRODUCTION IN GAMING

‘The Last of Us’ (Sony Computer Entertainment)

BEST SYNC / USE OF EXISTING MUSIC

BEST SYNC / USE OF EXISTING MUSIC: TELEVISION ADVERTISING  

Three ‘Pony’ (Universal Music Publishing / Warner Music / Wieden + Kennedy)

BEST SYNC / USE OF EXISTING MUSIC: CINEMA ADVERTISING  

Mercedes ‘Sound with Power’ (Ithaca Audio / AMV BBDO)

BEST SYNC / USE OF EXISTING MUSIC: FEATURE FILM SOUNDTRACK 

‘Alan Partridge: Alpha Papa’ (Ian Neil / Universal Music Publishing)

THE UNIVERSAL PUBLISHING PRODUCTION MUSIC AWARD FOR BEST SYNC IN A TRAILER OR PROMO  

‘Broadchurch’ Launch Trailer (Warner Music / ITV)

BEST SYNC / USE OF EXISTING MUSIC: RE-RECORDS + ADAPTATIONS

John Lewis ‘The Bear & The Hare’ (Leland Music / Warner Music / adam&eveDDB)

BEST SYNC / USE OF EXISTING MUSIC: NON BROADCAST + VIRAL ADVERTISING

Mercedes ‘Sound With Power’ (Ithaca Audio / AMV BBDO)