Lockt Editorial Welcomes Rodney McMahon as Post EP

Lockt Editorial has announced the addition of Rodney McMahon to its growing team in the role of post executive producer. A post production company built for a new generation of media, Lockt has continued to chart new territory since its launch earlier this year. McMahon will lend his prowess to an evolving slate of high-profile projects for brand clients such as Nike, Ford, Oakley, and Columbia.

McMahon cut his teeth in the industry during a stint at Entertainment Tonight, although he readily admits that his favorite gig was the reboot of The Arsenio Hall Show. He continued honing his experience and growing his network at cutting edge companies, including Tastemade, Spotify, and BuzzFeed. And while you won’t find McMahon on IG, he has extended an open invitation to connect with him on LinkedIn.

A native of Los Angeles, McMahon inherited his love of the biz from his dad, a DP who took him along on the international Dangerous Tour with Michael Jackson as a kid. Growing up, he was an All-Star first baseman with hopes to make it to the Majors. McMahon has been a DJ since he was 14, performing most notably on MTV’s Wonderland with Lizzo as host. 

Connor Schofield, Lockt partner and president says: “We are thrilled to welcome this super talented guy to our team. Rodney brings a strong editorial eye, immense creativity, and excellence in execution that will grow our capacity and further elevate our best-in-class talent.”

“Lockt is forging a new path forward for editorial companies,” McMahon says. “I’m very excited to be joining the team during its crucial phase, and I look forward to playing a key role as the company continues to level up and make its mark on the industry.”

Recent notable Lockt projects include films for Chipotle, Oakley, and Cannondale. 

Lockt Editorial is a post production company built for a new generation of media. Lockt’s range of services spans online and offline editing; VFX, including motion graphics, CGI 3D, animation, and product renderings; music supervision, with original composition and licensing capabilities; finishing and delivery, including sound design, mix, and color; and post facilities outfitted with suites for edit, sound, and color.