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BIGSMACK Brings Heat To New Documentary

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‘Escape Fire: The Fight to Rescue American Healthcare’

BIGSMACK Brings Heat To New Documentary

 

When you create a film as powerful and revealing as ‘Escape Fire: The Fight to Rescue American Healthcare’ (Roadside Pictures/Lionsgate), the new documentary that takes an unflinching look at the problems with the American healthcare system, you need a marketing campaign that is equally compelling. That’s why Directors Matthew Heineman and Susan Froemke, and Executive Producer Doug Scott, President of Ogilvy Entertainment, turned to BIGSMACK, the entertainment agency led by Creative Director Andy Hann, to create the film’s opening title sequence, key art and an array of marketing/promo items.
 
“We screened the film and we came back to them with about ten different concepts,” Hann says. “The idea that everyone seemed to grab onto was a play on the universal Greek ‘Caduceus’ healthcare symbol with an unlit match running through the center.” 
 
“ESCAPE FIRE: The Fight to Rescue American Healthcare” been hailed as “An ‘Inconvenient Truth’ for the healthcare debate” by The Village Voice. Premiering at the Sundance Film Festival and set for theatrical release on October 5, the feature length documentary examines the powerful forces maintaining the status quo -- a medical industry designed for quick fixes rather than prevention, for profit-driven care rather than patient-driven care. After decades of resistance, a movement to bring innovative high-touch, low-cost methods of prevention and healing into our high-tech, costly system is finally gaining ground. The film follows dramatic human stories as well as leaders fighting to transform healthcare at the highest levels of medicine, industry, government and even the US military. The film had its premiere screening at the Sundance Film Festival earlier this year.
 
“A film like this demands an arresting visual that viewers can easily connect with, something that communicates on almost a gut level about what this film is about, and Andy and the BIGSMACK team did exactly that,” Scott says.“ 
 
“There’s no star of this film, so its marketing needed to be conceptual,” Hann says. “We had to be clever and create a visual that would stand out, and get people’s attention. One of our goals was to create key art that would not only work for Sundance, but could also be used for the film’s national distribution and DVD sales and we’re proud to say we did just that.” 

 

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lbbonline.com, Tue, 25 Sep 2012 08:51:18 GMT