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Behind the Work in association withThe Immortal Awards
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Behind the Moving Image: The Mill/MPC on Creating ING’s Mane Man ‘Roary’

28/01/2022
Post Production
London, UK
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The Mill/MPC's VFX team explain how they brought a fully CG adult lion to life

The cat is out of the bag

Animated characters and mascots are proving themselves to be rocket fuel for brands and their advertising campaigns. At The Mill/MPC, we reckon we know a thing or two about creating CG characters that have made advertising history. From award-winning ‘Monty the Penguin’ for John Lewis to Arm & Hammer’s funky felines, our VFX teams are the leaders in animating memorable characters that help brands get noticed in a crowded media space.

In this Behind the Moving Image edition, The Mill/MPC looks back to when it developed another furry feline ‘Roary’ for ING Australia’s ‘Do your Thing’ campaign launched earlier this year. ING approached The Mill/MPC to bring to life their iconic logo as a fully CG adult lion, a companion for their customers and a symbol of their brand. The Mill/MPC's VFX team talk about how they did it….

Q> How did you begin crafting Roary?

Kiril Mirkov, VFX supervisor said: “The first and most important thing we had to consider was how would ING’s two-dimensional logo look like as a full-grown lion? After some research we managed to find a real-life reference of an adult, male lion that everyone was very happy with. We were then able to gather a lot of pictures and videos which helped us to analyse him and bring all his features to life.”


Q> What was the biggest challenge?

Finding a real, trained lion to capture these moments and details is pretty much impossible but also one that is able to show that range of emotions and interact with people led to only one conclusion: We had to create a state of the art, photo-real lion. Kiril added, “Every aspect of the creation of our lion ‘Roary’ had to be carefully studied. From the clumps on his fur and the shape of his mane to the colour variance of his nose and eyes. Real-life references were the key to ensure natural characteristics. It was very important to always stay true to the overall appearance of the real animal while still accommodating specific features to make a unique photo-real character.”


Q> How did you blend the animalistic traits of Roary with an acting delivery?

The main task while animating was to produce a characterful acting delivery that worked within the bounds of an animalistic performance. Studying reference footage helped make acting choices that reflected the motivations of a lion. However the challenge was to find a way to carefully strike a balance between natural, realistic behaviour and his relationship to the supporting characters in every scene without over-acting his performance, which was crucial to maintain realism.

To achieve this, we carefully dialled facial expressions and details where needed and supported that with a strong body language where Roary had to reflect confidence. When showing doubt and enjoyment, on the other hand, we shifted the focus towards the subtle facial features.

Q> What other layers of animation and research did you use in his performance?

We created a rig framework that enabled them to produce any given pose and expression with a high degree of precision. Our fur dynamics system was completely re-written to ensure that his mane was reacting realistically in every scenario. On top of that, natural muscle movement, skin sliding and dynamic deformations were added to ensure the highest level of realism throughout the entire commercial.

Behind the Moving Image

Throughout the month our artists across the global studios share art and science insights and BTS footage behind The Mill/MPC’s most iconic photoreal and animated characters that appeal and connect across integrated brand campaigns. share exclusive art & science insights behind bringing these icons to life.

Production
Work from The Mill London
Bolt vs London
Mill London
11/04/2012
16
0
The Swan
Mill London
11/04/2012
6
0
Hollyoaks Teaser
Mill London
05/11/2012
12
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